The National Motor Museum Trust at Beaulieu has won the 2017 Collections Trust Award for its Keep CALM and STEAM Ahead project. The award recognises the achievements of those who manage museum collections – the teams who are often behind the scenes and whose work can go unnoticed. This year the award celebrates projects that […]
National Motor Museum wins 2017 Collections Trust Award — ASSOCIATION OF BRITISH TRANSPORT & ENGINEERING MUSEUMS
I’ve never been one for fashion; self-expression in the form of clothing and exterior, bedecked with personalized accoutrements hasn’t been “my thing” but… these photos of “steampunk” outfits really appeals to me (courtesy of “pinterest”). Daily Prompt: fashion
Greetings and Felicitations. I’ll bet your wondering where I’ve been?
I’ve been spending more time out in the garden, exercising, and writing. Yes. Writing. Writing short stories and sending them off to market, writing articles, writing job applications (still no luck), volunteering for the Queensland Writers Centre, and getting ready to write my new novel – nicknamed the Train Book. I started writing it this week, now that I have enough reseach under my belt, and I have written my timeline and outline.
But what about my Steampunk novel, you ask?
It is ‘resting’. There is a point in the editing process when need to stop. I could edit forever. The Steampunk novel still needs work, but at the moment I need to step away from it and gain some perspective again. I was ‘fussing’ rather than editing. I keep wanting to add in new stuff. I need to look at the story, write a new outline, and STICK TO IT!
I hope to have the Train Novel’s first draft written by Christmas. I’m aiming at 120,000 words. (And no, I’m not doing NaNoWriMo, even though I could). I’m looking writing at 10,000 words a week for twelve weeks. That is approximately 1500 words a day, which is doable. I’m on a writing high at the moment.
However, I know I have severely neglected this blog. And I can’t promise that things are going to change too soon. However, I will TRY to update you all once ot twice a week.
In other news … my hair is now green-blue. I am losing weight, but I still have no neck and no waist.
One of my ambitions is to write the script for a comic book or graphic novel. I do not see the comic book genre as second rate when compared to prose books or poetry. Indeed, I would argue that some graphic novels are at the same level as many literary classics; works like Maus, or V is for Vendetta. Of couse, I didn’t start out reading such wonders of fiction.
My first comic book experience was with the Harvey Comics of the 1960s: Casper the Friendly Ghost and his friend, Wendy, with an entire cast of spooky friends and family; Richie Rich; Little Dot and her best friend, Little Lotta; and that ilk. They don’t make comics for such a young audience these days. I doubt anyone would print a comic like Little Lotta these days because of her size and eating habits, which is a shame.
Lotta broke most of the stereotypes of the ‘fat girl; Lotta’s storylines fulfilled two childhood fantasies: the satisfaction of unrestricted eating without embarrassment or shame, and enormous physical power. When you realise that Lotta was empowered girl, in an era where most media followed strictly patriarchal discourse, I often wonder why she isn’t a feminist icon. You have to admire Harvey Comics for publishing just as many female character comics as male ones.
As an aside, was Little Dot the original fangirl, with her obession for all things spotted, doted, and maculated?
As I grew older, I started reading the Disney comic books. Seriously, the were the best! My favourite characters were Scrooge McDuck – odd when you consider I hadn’t been a big fan of Richie Rich – and the inventor Gyro Gearloose (and his little Helper). I often found Daisy and Grandma too conventional, but the wicked Magica De Spell was everything I wanted from a female character, Goth clothing like Mortica Addams, powerful magic, she was her own person and in charge; and she was Italian (and when I was nine, I thought everything Italian was the very best).
I flipped straight into Archie comics well before I understood the love triangle. Betty was my favourite character (and still is), because her storylines often included writing, reading, and journals. As I’ve grown older and I am the mother of two women, I often wish I could give Betty a good shake. Archie just isn’t worth all her heartbreak! And it annoys me that a clever girl would waste her time with such an oridinary boy. But here is the rub – the Archie universie is contantly being reinvented. Here we are in the Teens of a new millenneum, and even though the television show, Riverdale, only bears a loose resemblance to the comic, it is successful and popular with fans of all ages. (I was horrified when I realised who the actor was playing Jughead. Lordie, I’m getting old.)
Even though the Archie comics gave lip service to Second Wave Feminism, even now it is quite mysogynistic. The competitive relationship between Ronnie and Betty is the worst offender, followed closely by the Archie-is-always-right-in-the-end discourse. However, they did have little gems like The Double Standard pop up once in a while. It might be due to the fact the comic was originally meant to be a platform for the Betty character, but at least two of the three main characters of the Archies are girls.
At the same time I ‘grew’ into Archie comics, I discovered superhero and horror comics. I didn’t see the sexualization of the female forms in just the same way I didn’t understand the Archie-Veronica-Betty relationship. I did wonder why there were so many more male superheroes than female. I did wonder why Lois Lane preferred Superman to Clark – Clark could write! I also wondered if Cadbury (Richie Rich’s butler) and Batman’s Albert ever got together to bitch about their wealthy playboy charges – now there is a movie I’d pay to see!
I inherited most of my horror comics from my male cousins, who collected them secondhand shops. These comics were often decades old. I was already a nervous child with an over-active imagination, and these elderly, dusty comics were the nitro added to my glycerine. I quickly became addicted to the thrills provided by horror comics, while at the same time loathing the nightmares they seemed to inspire. The stories in the horror comics were often better written than anything in the superhero comics, and even as a preteen I preferred a good story over anything else. I was reading books at this point, books like I Robot and A Wrinkle in Time, but comics still interested me.
I discovered Tintin and Asterix in Grade Seven, and read every single copy in our school library in a month.
At university, I was still reading comics. Archie digests, Batman, Superman, they were a great way to wind down after some intensive study. Yet … I didn’t consume them as much as I had as a highschooler. It didn’t help when I went to a so-called comic convention and was pretty much rejected by my comic-reading peers for being a girl. So, I read the odd Mad magazine and collected random Archie digests at secondhand bookstores. I was no longer a major comic consumer.
Then, in my late thirties … I discovered graphic novels.
I don’t know why, but the ‘don’t use adverbs’ rule irritates me. Abverbs are just another thingamajig in a writer’s toolkit. Yes – they can be overused. Yes -they should be replaced by strong verbs when the strong verb is more appropiate. But adverbs can be just as useful as any other word family of our modern syntax.
I suspect the real reason why adverbs are viewed with suspicion is that they are usually crutch words. Everyone knows to avoid ‘very’ and ‘really’. ‘Actually’ is one of my crutch words, and is an offender for a lot of other people. I now run ‘actually’ through my word search function when I complete a story; even though I am aware of the problem, it still turns up.
Some people work on the rule ‘one adverb a page’ Some writers refuse to use adverbs at all. It is time to change this outdated way of thinking! So I have formed the ADVERB LIBERATION FRONT. Writers should be able to use any word they want! With confidence! Lovingly.
The only time a writer should avoid adverbs is when a writer is feeling lazy and using them to do all the heavy lifting in their prose. Think of adverbs as a condiment; a few adds to the flavour, but too many ruins the dish.