Category Archives: Steampunk

Steampunk Sunday has hit a milestone.

2000 Likers

I run a site on Facebook called Steampunk Sunday, Queensland Australia. Today, it reached 2000 likers. It was my birthday on Monday, so I am calling this my present from the Steampunk community. I love you all!

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Filed under Community, Personal experience, Steampunk, Steampunk Sunday, Uncategorized

Steampunk Gadgets – a video by yours truly

panel-for-backgroundSteampunk Gadgets

The link takes you to a Youtube video, with Cogpunk Steamscribe (in her Steampunk Sunday persona) discussing the delightful gadgets of the Steampunk cosplayer.

steampunk-microphone-side-2

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Filed under Celebrating 30 years of Steampunk, Gadgets, Steampunk, Steampunk Cosplay, Steampunk Genre, Steampunk Sunday, Steampunk Technology, Steampunk Themes

Celebrating 30 years of (official) Steampunk

Celebrating 30 years of (official) SteampunkCelebrating 30 years of (official) steampunk

K. W. Jeter coined the term ‘Steampunk’ in a letter to science fiction magazine Locus, with the letter printed in the magazine’s April 1987 issue. It was meant to be a playful, tongue-in-cheek term for the genre. It stuck!

Steampunk was around long before 1987, but its birthday is this month. Let’s celebrate!

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Filed under Alternative Subculture, Books & reading, Celebrating 30 years of Steampunk, Community, Cosplay, Steampunk, Uncategorized

Feeding the Muse

Muses

I have been working on the end to my Steampunk Work-in-Progress (yep, I’m WiP-ped). In the past week, some serious thinking and research helped me come up with the logical progression for constructing the ending. This will mean more re-writes, but not huge structural edits.

muse-3

I see research as part of the process of feeding the muse. My main problem is that I can never predict what is going to inspire a good (or even great) idea. So, I do a lot of research. I read news stories, science articles, textbooks, anything and everything gets fed into the files for the muse to sort through. Sometimes I wish I could just click my fingers and the best idea would swim to the front of the pile, but that isn’t how it work.

Sorry, but feeding the muse takes effort, just like anything else. This is why I am a little cynical when I hear a writer claim that he/she doesn’t do any reading.

aggressive muse

The muse is unforgiving. It just ins’t a case of ‘Garbage in, garbage out’. No fuel, and the flame splutters out entirely.

Currently, I am reading up on Victorian-era model villages. These were both a great concept and a really bad idea, depending on who was in charge. On one hand, these were developed to create ideal living conditions for a planned community. creating comfort for families and a guaranteed population base for businesses. On the dark side, these were nearly gulags for imprisoning a workforce to labour under unpleasant and dangerous conditions. What a perfect setting for both a hero or a villain!

Muse

This is the last piece I need for the puzzle that is my book. It is almost a frightening thought.  I’ve worked with these characters for so long, that I will miss them once the book is complete. However, I’ve been through this ‘breaking up’ period a few times now, when you have to distance yourself from your creations. The best solution is have a new project in the wings, a shiny new toy for the muse to play with.

outsidethebox muse.jpg

 

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Filed under Steampunk, Steampunk Work-in-Progress, the Muse, The Writing Life, Uncategorized, writing

A Steampunk Feminist’s Perspective on Science Week 2017

Warning Science Ahead

 

You can’t have Steampunk without Science … it would be like trying to build a locomotive without cogs! You could do it with great difficulty, but is the result worth the effort? And is it in a recognisable form? Do the wheels fall off when you try to run with it? I have read Science Fiction stories that claim to have no science, but it sneaks in under the door like smoke from a coal fire. After all, you can’t have a coal fire without coal!

Rocket for SCIENCE

This week is World Science Week, celebrating all the various fields of science from the so-called ‘soft sciences’ like Sociology and Anthropology all the way through to the diamond-hard sciences involving Physics. (Personally, I find this sort of description of the fields of science rather judgemental and divisive, and pretty damn useless.) In Brisbane, the majority of the festivities are taking place in and around the Cultural Precinct. You can find a description of the events here: http://www.worldsciencefestival.com.au/

I attended a Science Writing workshop that was one of the events to kick off the celebrations. I wondered if I should attend, since I have considered myself a science writer for over fifteen years, but curiosity and interest got me there in the end. I am endlessly fascinated by how other writers work. It was a well run and very useful workshop, and I always gain insights into my own process as well as garnering some very good tips.

What I did notice was that most of Science Writers mentioned in the course were men, while at the same time, only one man attended the workshop; the rest were women (including me). Several of the women attendees were already working as science writers or scientists (or both). I wonder if this a sign that things are about the change in the field of Science Writing, to reflect the increase of women working in the STEM fields. As well, the workshop didn’t mention too much about blogging, which is a growing arena for science writing. My favourite female science blogger is the SciBabe: http://scibabe.com/

Science!

So, as more women find their feet in the various fields of science, gain respect, and go on to have stellar careers … so should the women science writers … as should the female writers in the Steampunk genre. There is a knock-on effect.

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Filed under Feminism, Science, Steampunk, Steampunk Feminist, Steampunk Themes, Uncategorized, Women in Science

The Competent Woman Protagonist: a Steampunk Feminist Perspective

Compenent Women

Table by Javier Zarracina for Vox

I read an article about Competent Sidekicks on Vox, and saw this table. I don’t completely agree with it, as Luke did blow up the Death Star, but Leia certainly gave him access to the Death Star plans and his torpedo-firing spaceship. But I do think this table makes a valid point; why do these competent women not get their share of the credit at the end of the day?

Agent 99

Agent 99

This cliche is as old as television. Look at 99 and Maxwell Smart. Smart was extremely lucky to be teamed up with Agent 99, as she did most of the thinking and the hard work while he got most of the credit. What made him survive was luck – not to be underrated, but it can’t be depended upon. Even in the modern reboot, Agent 99 has all the training and skills. Max and 99 are the extreme example of the trope, with Starlord and Gamora from Guardians of the Galaxy coming a close second.

This occurs quite a bit in literature too. So,how do I avoid this happening in my Steampunk novel.

Well, for starters, my protagonist is a competent woman. And – at the end of the story – she will be getting her credit and her reward. Yep. I finally figured out the reward that would make her happy … a free pass into Kew Gardens. For life. No restrictions. For a woman academic of the 1870s, that is like winning Olympic Gold.

So much more satisfying that marrying her off into a faux ‘happily ever after’.

 

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Filed under Characterization, Steampunk, Steampunk Feminist, Steampunk Genre, Stereotypes, Uncategorized, Writing Style

The Brick-wall Happy Ending: a Steampunk Perspective

mmeteor1_roman fortress in Bulgaria

When I imagine changing places with her I get the feeling I do on finishing a novel with a brick-wall happy ending – I mean the kind of ending when you never think any more about the characters . . .

Dodie Smith; I Capture the Castle

I am currently rereading I Capture the Castle. It is one of those novels that always reveals something new when you read it. This time round, I can see where, on page 324, the author, Dodie Smith, is foreshadowing to the audience exactly how she will be ending her book. In case you’ve never read it (and why not?), it doesn’t have a ‘brick-wall happy ending’. She wanted her audience to think about the characters after the book has finished, and this has contributed to the continuing popularity of the novel.

Why am I bring this up?

I am rather terrible at writing endings.

ben-hur-end-title

I’ve never been a woman able to write a brick-wall happy ending, where they “all lived happily ever after.” Is this because I don’t like ending the story and leaving my characters behind? Is it because real life never has a neat and tidy ending? Is it because an ending is sort of sad and melancholy, and I am avoiding those feelings? It is probably a mixture of these reasons, among others. Endings are complex.

What makes a good ending? Tidying away all the plots and subplots satisfactorily? Vanquishing the villain and leaving the protagonist victorious? A slap-up feast with a roast boar and gallons of ginger-ale? Do you prefer a tragedy; seeing everyone sitting in the ruins of their lives? Or – like me – do you prefer a drawn line in the sand, with the expectation that the characters still have an important part of their lives to go on with?

York

I prefer being able to peep over the wall, rather than slamming up against it. Yet this means that I have to make hard decisions about where to leave things for the characters. I do tend to punish my villains and antagonists, but I am less inclined to ‘reward’ my protagonists with a tidy ending. I prefer to infer they go on to have further adventures.

There is plenty of time to rest after you are dead. Who wants to laze around for the rest of their life? Where is the fun in that? It is fine to take a breather and relax after an adventure, but no one really wants the adventure to end.

In I Capture the Castle, Dodie Smith ends the book well before the ‘happily ever after’. It is left up to the reader to decide whether or not the protagonist and the romantic lead end up together. I’ve spent many a happy daydream giving them a range of happy endings, and wondering which one is the correct one (from Dodie Smith’s hints throughout the text).

In my Steampunk work-in-progress, I’ve got two areas in the timeline when I could end the story. Neither will provide me with a neat and tidy ending, but one of them is ‘tidier’ than the other. However, that ending also brings a better resolution to the end of the adventure. At one point, I was tempted to end the story sooner, and that second ending was going to be a whole new book. The problem was … there wasn’t really enough story left to write a whole new book, at least, not without adding in more subplots. I prefer not to add subplots for the sake of adding to the word length. It feels like you are trying to stuff more clothes into drawers that are already full, and just makes everything cramped and crushed and creased.

I think too much of my current story to do that.

But it still leaves me with the problem of how I am going to end my story in a satisfactory manner.

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Filed under Steampunk, Steampunk Genre, Steampunk Work-in-Progress, Steampunk Writer, The End, The Writing Life, Writing Style