The link takes you to a Youtube video, with Cogpunk Steamscribe (in her Steampunk Sunday persona) discussing the delightful gadgets of the Steampunk cosplayer.
Another bit of African print-inspired Edwardian crazy…but less so than some. I think. This is a really unusual fabric- ornately printed of course, in a lush red and black design, but also embossed/textured. I’ve never seen or felt anything quite like it, and couldn’t resist. If I recall correctly, it was the usual 6 yards […]
Helena Bonham Carter is the Corset Cosplay Queen, as she has played many characters in historical movies that have required her to wear the most gorgeous costumes. The 2013 ‘The Lone Ranger’ movie was set in 1869, and so Red Harrington – the character played by Helena Bonham Carter – wears Victorian-era inspired costumes. Red has red hair and wears red clothing; in Australia, we would have nicknamed her ‘Blue’.
Red went through a series of costume changes. Rather than try to break own the accuracy of every costumes, I have chosen two main outfits to discuss. Oh, and we will also discuss the major Steampunk prop of her costumes: the prosthetic leg that was also a gun. This was actually to the most Steampunk gadget in the movie.
As previously mentioned, the movie is set in 1869. Crinolines were the dress-shape of the fashionistas of that era …and Red’s costume is certainly the right shape.
Red’s crinoline is also in the right colour range for the era, and ruffles were a popular way of decorating the skirts of a crinoline. There had been a time when a hoop skirt would be absolutely enormous, but in the late 1860s the worst of these excesses were in the past. In the next few years, crinolines would be replaced by the bustle. Red does not appear to be wearing a hoop, and she should be. (However, she is also well away from the centres of fashion and may have resorted to petticoats instead.)
The little lace jacket that is part of the movie costume appears to be a boudoir jacket being worn as day wear. Above are a range of jackets:
As you can see, the boudoir jacket is lacy like the little jacket that is part of Red’s outfit, but the cut of the jacket is more like a modern shrug or a caplet.
Red’s buttoned shoes are spot on for the era.
This second outfit also sports a strange little caplet trimmed with lace, over a dress with at least three visible layers. As you can see, this dress does loosely resemble a high fashion gown from 1870, from the House of Worth in France. The Costume is a mishmash of fabrics and colours compared to the Worth dress, but that can be put down to Red’s flashy tastes. The parasol is spot on for the era.
The closest equivalent period garment with dramatic sleeves I could find was this tartan dress below. However, those style of sleeves turn up again and again in the Victorian era.
It was this clever gadget leg that inspired me to look harder at Helena Bonham Carter’s costumes in ‘The Lone Ranger’. For me, it is the gadgets that really make the Steampunk Aesthetic. As a cosplayer, I would wear a ‘tattooed’white stocking and a modified shoe to mimic this prosthetic leg.
The problem for costumers is that people forget that the Victorian era was lo-o-on-ng. Fashions changed. It is hard to put together an authentic historical outfit, particularly when the accuracy of the outfit hardly matters in a fantasy Western/Steampunk movie. I think Penny Rose did a great job of using Red’s outfits to give the audience a deeper insight into her character. That is inspirational work.
I live in a semi-tropical area, and it never snows. In summer, it gets damnably hot and humid. So, here are some pictures of straw hats suitable for a torrid Steampunk Enthusiast.
Now, before we go any further, a Victorian skirt-lifter was an item of apparel and NOT a man with wandering hands. They were decorative and fashionable, but they were a functional item as well, lifting hems out of the dirt. The hem wasn’t meant to be lifted permanently, and so a proper skirt-lifter was an actual gadget. My friend Anne showed me one today, that belonged to her great-grandmother (GGM). Her device hooked into the waistband or belt and at the end of the chain was heart-shaped clip that gripped the hem of the skirt. The chain ran through the decorative loop at the waistband, and had two silver balls that were used to lift the hem up and down. It was quite beautiful, and utter perfection because it had a lovely story to go with it.
Her GGM acted as a lady’s maid for a fine family in Suffolk. This family were friends with the royal family, and one of princesses used to visit with her family. Anne’s GGM received the skirt-lifter as a gift from the princess at the end of a visit. I think this is a wonderful piece of history. I always feel that an item means so much more when it has a story.
I wanted to show you Anne’s skirt-lifter in action, I couldn’t find one like Anne’s online, but I did find one very like it. Anne’s is much prettier than this one. Modern cosplayers often devise skirt-lifters of their own, and usually leave their hem ‘up’ to display pretty underclothing and stockings. Alas, most of these lifters look more like suspenders clips than actual Victorian-era skirt-lifters. They are pretty in their own way, but don’t have the same functionality and charm of the originals. As well, those clips would tear or fray delicate fabrics.
As a writer, I like to get the details right. Now that I know what a real skirt-lifter looked like, I can write about it with confidence. I know they were at their most popular from the 1870s to the 1890s, which is right in the era when my own Steampunk novel is set.