The link takes you to a Youtube video, with Cogpunk Steamscribe (in her Steampunk Sunday persona) discussing the delightful gadgets of the Steampunk cosplayer.
Seriously, one of the best gadgets I’ve seen in a long time.
Samson the blue ringed octopus and his assistant, Jeremiah, for blue ring iron works.
I love illustrations, for books, for graphic novels, and for posters.One of my favourite artists is Brian Kesinger, the famed creator of Otto and Victoria from “Walking your Octopus”. Kesinger is an American illustrator, author and animator, who has worked for Disney. Many of his works have a Steampunk Aesthetic.He even paints with tea! His use of the Steampunk Aesthetic to tell a tale withing his illustrations reflects his deep understanding (and love) of the genre.
Edward Gorey is another artist who favours a Victorian flavour in his illustrations, but his tastes tend to be more Gothic. The late Edward Gorey was an American writer and artist, famed for his illustrated books.
Now, the aesthetics of Gothic Victorian and Steampunk are very closely related, and Gorey is a master of the dark arts. It is his eye for detail that makes his work resonate on so many levels. That, and he can be both macabre and whimsical within the same illustration.
Now, I can’t mention Steampunk illustrators without mentioning Liz Mamont. Like Gorey, Mamont blends a mixture of Gothic horror with a Victorian aesthetic. Like Gorey, her work often has a surreal edge. Her use of line work is superb, and she doesn’t back away from Absurdism in her work.
Unlike Steampunk sculptures, there is no expectation of ‘functionality’ in illustrations. Instead, what makes these illustrations fit into the Steampunk genre is their sense of humour – black or otherwise – and their sense of fun, while remain restricted to a a Victorian-era style and aesthetic.
What makes a piece of art fit into the Steampunk genre?
It isn’t a case of glue some gears onto something and calling it Steampunk, as parodied by Reginald Pikedevant. However, as a relatively new genre, the Steampunk Aesthetic is changing as new creatives are inspired by its quirkiness and historical relevance to our Postmodernistic culture.
Michihiro Matsuoka does ‘glue gears’ onto his resin animals in his sculptures. However, he also reuses old car parts and other discards in his work, and upcycling is right at the centre of Steampunk. I am a fan of his work, and if I ever get rich enough I will most definitely purchase some of his work to decorate my Steampunk Study. His sculptures have life and character as well as a Steampunk aesthetic, and the artist refers to them as his Steampunk Hybrids.
American artist Ernie Abdelmour also prefers to reuse found objects in his art. I adore his whimsical ‘Flying Machine’ series as they incorporate teapots, and tea is such a Steampunk tipple. He also has a fondest for recycling dials and gauges. Abdelmour prefers his ‘gadgets’ (his term) to look like they would work. He prefers creating machines to animals as animals have to be ‘more accurate’. All in all, his ‘it should look functional’ ambition is very Steampunk.
Cassia Harries like to make her little resin animals dress up in Steampunk cosplay, with goggles and gadgets. Her DarkSkies collection features all little animals that have wings and jetbacks, or helicopter blades, and look ready for anything. I was originally drawn to her work by ‘Puff, the Steampunk Dragon’.