I’m reblogging this as it goes well with the Cummerbund and Dickie post from yesterday.
The basic structure of a crinoline is a cage, so a woman wearing a crinoline is actually trapped inside a cage, unable to run or move about freely. If there was ever a more powerful metaphor to sum up the restrictions of a Victorian woman’s existence, I can’t think of one. As both a writer and a feminist, to me the crinoline sums up worst behavioural excesses of the Victorian era.
Some styles of crinolines even resembled bird cages. What an image … thousands of women walking around inside their cages, unable to accidentally brush up against a fellow human being. struggling through doorways, constantly having to be aware of their surrounding in case they knocked over furniture or small children. I know I’d be on edge. as I am not the mot graceful woman to start with. And oh…
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